Another problem is we don’t know where to find writers. The culture of bringing writers to a team has just begun. There are only two inspirations then - we either refer to life or look at another movie. Now, we write and direct films ourselves, which definitely takes a lot of time. Earlier, a film director would provide a visual interpretation of a script. They should be given more respect and more remuneration. Tharun Sudhir: Our industry needs more writers than directors. Kairam Vaashi: According to all of you, what is one change that the Kannada cinema industry needs or you would like to see? There’s a josh, that only films can give you.
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Then we start thinking we have to make a movie about this. After all that tiredness and deciding to give up, suddenly something will strike your mind. Sometimes I want to just be done with it all. The business and marketing aspects of it that come after will make you tired even more. I like to be in the learning process and I like to live in that process. When the film is made and I’ve watched it on the edit table, my work is done. I love the process of a film being made, right from creating a world around the story to fleshing out its details. Some kind of magic happens on the shooting set. We grew up watching all kinds of movies and stories. Roopa Rao: I started my journey with the question of “why” - why films and why this story. When a film releases, I turn my chair around and only look at the audience to see how they are reacting. We reach so many people and have a space where we enjoy what we are doing. But, us filmmakers get to showcase our dreams. Suni : Everyone has a dream but only a few of them succeed. Usually, a writer-director comes from the idea that they want to make their point of view seen. Which one is a priority might vary from person to person. Another drive is that this is the business you know. That is why you become an artist, to share how you look at emotions and stories. One is the creative drive where you want to tell your point of view. Pawan Kumar: I think there are two drives, according to me. Kairam Vaashi: After all that you go through, right from the bureaucracy to the inevitable process post making a film, what still drives you to keep making films?